The Worst Things About That Day The Dead All Spoke To Us, But Only On Twitter
By: Michael Conley
the way we couldn’t verify it was really them and not just some bot-farm scam
even when we asked questions only they could know the answers to, like
‘grandma, do you remember the song you used to sing to rock me to sleep,
because even if they replied ‘of course, sweet boy, Edelweiss, it was Edelweiss,
couldn’t that just have been harvested from our memories somehow
the way they were irritated by our uncertainty – look, we’ll DM you pictures
if you don’t believe us – but whenever they tried that, every image was the same:
a silvery smudge, roughly humanoid, white background, dark spots
where eyes and mouth might belong, and if you looked at them too hard
you began to hear a high-pitched scream inside your brain that took ages to stop
the way anyone famous immediately had thousands, hundreds of thousands of impostors
also claiming to be them so whatever the real Shakespeare had to say
was swamped by imitations of varying quality, and because none of them had jobs
they really cranked out that content for the entire twenty-four hours,
there was so much they wanted to say, but only about the world of the living
the way they lauded death over us as though it had conferred upon them a wisdom
we couldn’t possibly comprehend, even though their posts were largely insipid
or bigoted or TYPED ALL IN CAPITALS, the way they couldn’t/wouldn’t tell us
about an afterlife, because they claimed not to know where they were,
the way they seemed so insultingly desperate, as midnight approached, to leave again,
we hate it here, being nothing and nobody for eternity was better than this,
how embarrassing to still be alive anyway, we can’t believe we used to like it
the way they did leave again and haven’t returned since,
the way none of us learned anything from any of it
the way nothing they said made any of us feel any less alone
About the Author
Michael Conley is a poet from Manchester, UK. His poetry has been Highly Commended in the Forward Prize. His latest pamphlet, "These Are Not My Dreams And Anyway Nothing Here Is Purple" was published by Nine Pens in 2021. He was the 2022 winner of the Peggy Poole Prize
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