detailing the infinities
By Alan Bern
Photographs often capture and present moments. To collect these moments and for the great good health of body and mind, I take walks— yes, I walk my neighborhood streets and also beyond— and I capture moments, sometimes with the camera on my phone, sometimes with a few words, and sometimes with both. Snap snap. I regularly walk in my neighborhood where I have lived for 95% of my life. And, yes, it’s often awfully familiar, but there is always something new to see. Snap snap. Poems, too, can capture and present these moments— especially short poems such as haiku and haiku-like poems. I capture and presents such moments in both my photographs and my poems, and sometimes I combines the two in what are called photo-poems or photo-haiga.* At other times I merge both into longer narratives that may tell a story, but more often present a flow of images and words that magnify and transmit thoughts, feelings, and dream-traces. *"Haiga [paintings] are typically painted by haiku poets (haijin), and often accompanied by a haiku poem." https://en.wikipedia.org/wiki/Haiga— with my photos standing in for the paintings.
About the Artist
Retired children’s librarian Alan Bern has published three books of poetry and has a hybrid fictionalized memoir, IN THE PACE OF THE PATH, published by UnCollected Press. Recent awards include: Winner, Saw Palm Poetry Contest (2022); Honorable Mention, Littoral Press Poetry Prize (2021). Recent and upcoming writing and photo work include: Marin Poetry Review, The Hyacinth Review, DarkWinter, and Mercurius. Alan is a published/exhibited photographer, and he performs with dancer/choreographer Lucinda Weaver as PACES: dance & poetry fit the space and with musicians from Composing Together. Lines & Faces, his press with artist/printer Robert Woods: linesandfaces.com.